Seven for Seven — Part 1


Over the next seven blogs (three this week, three the next, and Monday of the third week) I will be presenting seven photographs that are among personal favorites of mine.  Several you will have seen before, but many you will have not viewed previously.

Each photograph is chosen to highlight topics we have covered in previous blogs — use of the Rule of Thirds; when to break the Rule of Thirds; negative space; action photography; portraiture, use of color; when to convert to black and white; using lines of perspective; use of symmetry; and other photographs chosen for their whimsy or comical value (so be sure to read the captions).

And now I present the first seven entries in the series:

No Way to Elevate a Tourist — action combined with scenery in Meteora

No Way to Elevate a Tourist — action combined with scenery in Meteora

Tugging at Your Heartstrings — use of action combined with color and perspective

Tugging at Your Heartstrings — use of action combined with color and perspective

Heavens — The Blue Mosque, Istanbul — Scenery combined with negative space (blue sky) and off-symmetrical composition (Minarets)

Pointing towards the Heavens — The Blue Mosque, Istanbul — Scenery combined with negative space (blue sky) and off-symmetrical composition (Minarets)

Cleaving through Water — Action photography combined with reflection (hull) and negative space (sail)

Cleaving through Water — Action photography combined with reflection (hull) and negative space (sail)

Reflections in St. Tropez — Rule of Thirds (hull/waterline) and gentle, wavy water reflection

Reflections in St. Tropez — Rule of Thirds (hull/waterline) and gentle, wavy water reflection

Caldera Overlook in Santorini — Rule of Thirds, splash of blue color framed against a dramatic backdrop

Caldera Overlook in Santorini — Rule of Thirds, splash of blue color framed against a dramatic backdrop

The Shuttered Window — Rule of Thirds, negative space (wall), framing (roof line and sky; shaded vines and street lamp)

The Shuttered Window — Rule of Thirds, negative space (wall), framing (roof line and sky; shaded vines and street lamp)

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A Return to la Posta de Mesilla


I know.  I’ve covered this establishment before.  Can’t help it.  It’s just that good, and it deserves another mention.  My previous review can be found at this link:  La Posta de Mesilla

As you know from the previous two blogs this week, spring returned to El Paso ever so briefly this past week.  Spring means roadster, and roadster frequently means visiting the sights within a few hours’ drive of our home.  One such place, loaded with both photographic and culinary delights, is Mesilla, New Mexico.  Or, to the locals around here, “Old Mesilla,” which refers mostly to the area in the immediate vicinity of the charming town square and it’s many buildings dating back to the 1800s, the Wild West, and Billy the Kid and Pat Garrett.  For Mexican cuisine with a New Mexican touch, the place to go here is la Posta de Mesilla.

First, there’s that charming building with its numerous, intimate dining areas:

The 1800s adobe peeking through from beneath viga ceiling

The 1800s adobe peeking through from beneath viga ceiling

Old-style wooden doors throughout

Old-style wooden doors throughout

And then there’s the food.  We were greeted with the customary tostada chips and salsa — in this case a nice, spicy, tomato-based concoction that also went well atop the later main course offerings.  We also shared some guacamole and a bowl of queso with green chili strips.  The queso chili was fresh and meaty (as is usually the case at any restaurant this close to New Mexico’s chile growing region), and the guacamole was both adequately ripe and flavorful.

Tostada Chips, Salsa (spicy), Corn Tortillas, and other appetizers on display

Tostada Chips, Salsa (spicy), Corn Tortillas, and other appetizers on display

Guacamole in the foreground; Chili con Queso with green chili strips behind

Guacamole in the foreground; Chili con Queso with green chili strips behind

Ursula opted for a chimichanga — a type of deep-fried burrito — stuffed with shredded beef and served with sides of Mexican rice and frijoles (refried beans).  She of course doused this chimichanga under a blanket of that aforementioned salsa.  Alas, she was a bit disappointed in that the flour tortilla was a bit thick and chewy and overpowered the beef filling.

Ursula's Chimichanga with Mexican Rice and Frijoles (refried beans)

Ursula’s Chimichanga with Mexican Rice and Frijoles (refried beans)

I had one of the combination plates.  In addition to the usual rice and beans, this one came with a wonderful crispy ground beef taco, a nice cheese enchilada buried beneath a marvelous blanket of chili meat sauce, and a rather disappointing chile rellano (see my recipe at this link: Get Stuffed on Chile Rellanos).  I call the rellano disappointing because it had obviously been prepared in advance and reheated.  As a result, the chile had dehydrated and lost its thick, meaty texture, and the egg batter coating was far from either fluffy or crispy.  Next time I’ll probably stick with a taco platter, although the enchilada with green chili meat sauce was also a winner.

Doug's Cheese Enchilada under a Chile Meat Sauce, Crispy Beef Taco, Chili Rellano, Rice and Beans

Doug’s Cheese Enchilada under a Chile Meat Sauce, Crispy Beef Taco, Chili Rellano, Rice and Beans

Dessert consisted of two items:  A sopapilla served with warmed honey and an apricot empanada accompanied by a scoop of ice cream.  The empanada was a huge hit.  Alas, we were both too stuffed to try the nice looking sopapilla that was included with the meal.

Sopapilla with honey on the left; Apricot Empanada a la Mode to the right

Sopapilla with honey on the left; Apricot Empanada a la Mode to the right

Before we left I managed to snag a few more shots of platters preparing to arrive at nearby tables.  These photographs should give you a good idea what else la Posta has in store for you:

Going to the next table: Beef and Chicken Fajitas in the

Going to the next table: Beef and Chicken Fajitas in the foreground; shrimp fajitas beyond

Another table gets Ground Sirloin with Queso and Green Chili, Burrito (the original "wrap"), and a Taco Plate

Another table gets Ground Sirloin with Queso and Green Chili, Burrito (the original “wrap”), and a Taco Plate

Considering how busy this place gets, especially after Sunday service at the nearby Basilica of San Albino, the service almost never disappoints.  This day was no exception.  The wait staff were prompt, efficient, friendly, and helpful with knowledgeable suggestions.

If you’re anywhere within 100 miles of this south-central New Mexico destination, la Posta is definitely worth the detour.  Give it a try, then grab your camera and start enjoying the sights around town.

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Photographing the Old West


Josefina's Winery and Café

Josefina’s Winery and Café

Driving into Mesilla, New Mexico, is like driving 150 years back into time.  While Territorial-Style architecture is most closely tied with Santa Fe and northern New Mexico, Mesilla is home to an incredible number of prime examples.

Territorial Building

Territorial Building

Territorial Style on Parade

Territorial Style on Parade

Basilica San Albino

Basilica San Albino

Looking at some of the examples above and on Monday, you might be getting the mistaken impression that Territorial Style is all about colorfully dull earth tones.  Not always.  Many Territorial Style buildings sport bright blue doorways and window casings.  Sometimes, however, the entire building may be a splash of color.

Galeria Azul

Galeria Azul

The Colorful Side of Territorial

The Colorful Side of Territorial

Courtyards are also a popular feature of the Territorial Style, and some of the more popular eating establishments reflect this.

Courtyard at Peppers Café/Double Eagle

Courtyard at Peppers Café/Double Eagle

Color isn’t everything in photography, however.  Texture also counts for a lot, as you’ll recall from my blog: When to Convert to Black & White—Landscapes.  If you have a picture that contains a lot of texture and is already primarily monochromatic in nature, you can often enhance the viewing experience by completing the monochromatic nature of the subject in post processing.

Outside Galeria Azul

Outside Galeria Azul

Josefina's Old Gate

Josefina’s Old Gate

If you do decide to convert to Black & White, don’t forget the color.  I know that sounds oxymoronic, but don’t forget that the color information contained in the original picture is a wealth of data that can be easily manipulated in post processing to increase contrast, darken skies, highlight clouds, enhance vegetation, or even bring out the character in an aging face.

A Little B&W Fun

A Little B&W Fun

The picture above is a good example.  It was filtered for red in post-processing, resulting in wispy clouds against dark skies.  Without that filtering, this is what you would have seen instead:

Unfiltered B&W Conversion

Unfiltered B&W Conversion

And what of the original photograph?  Here it is:

Original Color Shot

Original Color Shot

If you’d like a refresher of Black & White conversions and Color Filtering, go to:

When to Convert to Black & White—Landscapes

More Fun with Color Filtering for Black & White Photography

Black & White Filtering After the Picture is Taken

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