More Fun with Color Filtering for Black & White Photography


Okay, I couldn’t resist revisiting this one more time.  Here is the original blog on using color filters during black and white photography:  Black & White Photography—It’s All in the Color!  And here’s the followup on how to filter in post processing:  Black & White Filtering After the Picture is Taken

I stumbled across the photograph below last week, during my series on Trinidad and Tobago.  It was  taken at the Asa Wright Nature Centre back in 2004 with my very first foray into digital photograph.

Original color version

Now for the magic of using filters to either block or pass through certain color wavelengths.

Filtering for red blocks (darkens) cool tones (greens and blues) while brightening warm tones (yellows, oranges and reds):

Dark Red Filtering

Filtering for green lightens cool tones (greens and blues) while blocking warm tones (yellows, oranges, and reds):

Dark Green Filtering

You’ll notice that the healthy portion of the leaf is darkened under red filtering and lightened with green filtering.  But look at the spidery diseased portion.  See how the dark green filtering blocks the brownish hue (a dark yellow) of the leaf veins, while the red filter lightens the veins to the point where the blend into the background?

Now take a look at the red flowers in the right-side background.  Filtered for red, those flowers practically glow, but when the image is filtered for green, they darken considerably.

This is why you use color filtering, either with black & white film, or when post processing and converting color images to black & white—to enhance some portions of the image while suppressing others.  The rules of thumb for color filtering:

Green filtering is great for portraits.  Green enhances and increases the contrast of most complexions.

Red filtering is the obvious choice for landscapes.  Blue skies and green vegetation are darkened dramatically, while colorful flowers in the yellow to red range shine through.

For more subtle enhancements, try filters ranging from light green to pale yellow to orange.  Try experimenting with copies of your digital color images.  The “Filtered B&W” feature built into Google’s free Picasa photo editing software make this both fun and easy.

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Another Sunset—March 14, 2012


Another spectacular sunset as seen from our backyard.  Sure hope you aren’t getting bored with these.  This one occurred last Wednesday.  The pictures were taken in raw format with a Canon EOS 5D using a 24-105mm f4.0L zoom lens.  The camera was set to daylight white balancing and using the “Standard” picture style modified for slightly increased saturation (+1).  Conversion was done using Canon’s Digital Photo Professional with corrections made for lens aberration.  I then straightened and cropped the resulting JPEG conversions in Google’s free Picasa photo editing program.

The short version of all that is that the colors and intensity you see are pretty much as they were to the naked eye with only a minor bump in color saturation, mostly in the reds.

This first shot was taken handheld at ISO 800, shutter speed 1/400th, aperture f9.0, exposure compensation -⅔:

Sunset as Casa Wicker—Wednesday, March 14, 2012

This next one was also taken handheld, but I rotated into the portrait position to capture the deep blues of the skies above the reddish hues.  The shot settings this time were ISO 250, shutter speed 1/200th, aperture f5.6, exposure compensation -⅔:

Framed to take in the dark blue skies above the reddish clouds and golden sunlight

If you like these sunset photographs that I post from time to time and would enjoy seeing more, leave a comment telling me so.  And if you really like them, share this link with your friends via your Facebook page.

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Ode to Paris 1


Ode to Paris 1.

Check out that link above for a very pleasant surprise—a well written take on one of my favorite walking cities.

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