Tag Archives: Denzel Washington

Indian Cliffs Ranch Part 6 — Courage Under Fire


Battlefield Panorama

Battlefield Panorama

In 1996 a rather famous film was made here at Indian Cliffs Ranch.  In that film, the ranch because Iraq during Gulf War I.  The movie starred Denzel Washington, Meg Ryan, Lou Diamond Phillips, and Matt Damon.  It was titled Courage Under Fire.  Many of the props used in Courage Under Fire were left behind, and are now full-fledged tourist attractions here at the Indian Cliffs Ranch.

Iraqi heavy armor

Iraqi heavy armor

Well, not all the hardware here started life as movie props.  At some point this was a very real Bell UH-1 Huey:

 

Bell UH-1 Huey

Bell UH-1 Huey

Other “helicopter” props are obviously meant to be seen only from a distance:

Fake helicopter

Fake helicopter

Courage Under Fire is far from the only film ever shot here at Indian Cliffs.  I’ve already mentioned Resurrection with Ellen Burstyn, but here’s a more obscure entry.  The Cadillac pictured below was used in a roll-over scene from the 1998 made-for-television film On the Border:

"On the Border" Cadillac

“On the Border” Cadillac

So, how about a new film titledCourage on the Border While Under Fire“:

Cadillac used in the 1998 motion picture "On the Border"

“Courage on the Border While Under Fire” starring Denzel Ryan and Meg Washington

But it’s the war hardware that I find more interesting.  So, I’ll leave you with this last taste of Indian Cliffs Ranch and Cattleman’s Steakhouse with a Fun Photo Friday gallery of more movie props from Courage Under Fire:

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Indian Cliffs Ranch Part 5 — Stepping into the Wild West 1880s


Indian Cliffs Ranch — Member of the Texas & Southwestern Cattle Raisers Association

Indian Cliffs Ranch — Member of the Texas & Southwestern Cattle Raisers Association

Ursula and I boarded the hayride and settled into our seats for the next stage of our post-steak dinner adventure at the world-famous Cattleman’s Steakhouse at Indian Cliffs Ranch.  Our tractor-pulled, canvas-covered trailer exited the steakhouse area and crossed the road onto the other side of Indian Cliffs Ranch — the time capsule.

Crossing the Road — Thunder Bumpers on the Horizon

Crossing the Road — Thunder Bumpers on the Horizon

Chihuahua Desert vegetation

Chihuahua Desert vegetation

The first thing to strike us on this excursion were the magnificent Rimrock Cliffs to the north:

Indian Cliffs Ranch-076

Rimrock Cliffs

We turned south, away from the Rimrock Cliffs, and soon found ourselves in something reminiscent of Lucas McCain territory.

The McCain Spread

No, that above image isn’t it.  The first hint of what was to come was this fence:

Ranch Fencing

Ranch Fencing

And, of course, the ranch corral had to be nearby:

Corral

Corral just up the road

Where are the horses?

Where are the horses?

We pulled up the horses . . . uh . . . tractor . . . by the ol’ homestead and stepped back into the 1880s:

Old Ranch House made of stone

Old Ranch House made of stone

Atop the roof were various ranching and farming implements.  Our tour guide told us that it was common practice to place such objects of value atop the home to make it more difficult for marauders to steal the equipment undetected.  So, footsteps on the roof were an early burglar alarm, apparently.

Brings a whole new meaning to the phrase "Put up your tool"

Brings a whole new meaning to the phrase “Put up your tool”

One last look at this classic, pre-double wide (a bane to the aesthetics of the modern ranch, in my view) ranch home.

Attached Single Garage

Attached Single Garage

We now turned back to the north and headed toward the base of the Rimrock “Indian” Cliffs.  But what’s this hiding in the brush?  You’ll find out Friday.

Something Hiding in the Brush

Something Hiding in the Brush

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No Longer Equalizing a Person of Interest — A Colossal Mistake?


As I write this I have just finished up the posts for my Montreal-to-Boston cruise aboard the MS Maasdam, the second season of The Equalizer was finally made available last Tuesday some six years after the release of Season One (as well as the complete set directly from the new distributor), we’re just over three weeks away from the fourth season opener of Person of Interest, and we’re just over two weeks away from the release of The Equalizer movie.

When last we discussed Person of Interest (see: Equalizing a Person of Interest) I compared Person of Interest to that fascinating, ground-breaking 1980s series The Equalizer, starring the late Edward Woodward.

Edward Woodward as Robert McCall, The Equalizer

Boy, was I wrong. As of the end of Season Three Person of Interest is no longer a remake of The Equalizer; it’s become a remake of the 1970 film Colossus: The Forbin Project. For those unfamiliar with Colossus, the story revolves around Dr. Charles Forbin who creates an artificial intelligence to handle the strategic nuclear forces of the United States. Things seem to go well until it is discovered that the U.S.S.R. has developed a machine (sound familiar?) with the same capabilities. When Colossus discovers the existence of the other machine (Guardian), things go to hell in a hurry.

Colossus: The Forbin Project

This past season on Person of Interest we discover that a second machine — Samaritan — has gone online and is now trying to track down and kill anyone connected to the first machine (code named Northern Lights). I started getting the uncomfortable feeling that I had seen this plot before when there were still several Season Three episodes remaining, so I ordered Colossus from NetFlix to refresh my memory.

John Reese is a Person of Interest . . . to both the NYPD and the CIA, and now Samaritan!

Yep. I’ve seen it before, all right. Not that it’s a bad thing. It’s just that Colossus has no business mucking about with what is at its core a remake of The Equalizer.

Speaking of which, we have another Equalizer headed our way Friday, September 26 (actually a few days ago, as this post is scheduled to hit October 1), and this one is already a bit of a disappointment to me even before I’ve seen it. The original concept of The Equalizer centered around a character who was supposed to think of a retired version of James Bond. Edward Woodward’s Robert McCall was British; a former agent sick of lies, deceit, and killing; a person who dressed immaculately and who carried a Walther PPK/S (for marginal differences between the PPK/S and Agent 007’s PPK see: The Perfect Fashion Accessory—Walther PPK in .32 ACP).

Walther PPK and PPK/S

Denzel Washington’s characterization of Robert McCall is none of those things. And while I have high hopes that this version of The Equalizer will do well, the writers would have done just as well naming Mr. Washington’s character “Harold Potter” or “Michael Hammer” for all the dissimilarities involved.

At any rate, let’s hope Person of Interest (and The Equalizer before it) hasn’t lost what made it such a hit — a talented, hardened, disillusioned former agent/killer who helps everyday people against insurmountable odds — rather than a science fiction battle pitting supercomputer against supercomputer with the main characters playing pawns caught in the middle.

Bibliography:

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