One Day Before the Sail


We’re  going to be rather busy the next several weeks, but I shall endeavor to keep up my thrice-weekly blog during that time.

Today I bring you a brief pictorial blog on Tampa, Florida (as opposed to the one in Colorado, Kansas, and Western Australia, and the three in Romania).  There won’t be a whole lot to see in this blog, as we didn’t get to spend much time here.  Fortunately, we did make reservations for Ursula’s favorite national Italian chain, so we had little difficulty in getting into an otherwise crowded Maggiano’s Little Italy.

Outside that charming restaurant was a gorgeous Ferrari-red Audi R8, and she just begged me to take her picture.

Anyway, enjoy the few shots I have for now, and tune in later for the actual trip:

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Equalizing a Person of Interest


I thought I had a really unique idea with this blog, but Googling the terms, ‘Robert; McCall; John; Reese; Equalizer; Person; and Interest,’ revealed otherwise.  Several bloggers have beat me to it, but I’m going ahead anyway because I find the parallels rather cool.

In the mid-1980s I became a huge fan of a television show titled, “The Equalizer.”  I found the lead character, Robert McCall, fascinating.

Robert McCall—The Equalizer

Robert McCall (played by Edward Woodward) was a very capable operative who abruptly resigns from an unidentified intelligence agency from which you do not just “resign.”  There are consequences to be paid for such impertinence.  Now on his own, with only occasional assistance from his former boss, “Control” (played by Robert Lansing) and fellow operatives (most notably Micky Kostmeyer, played by Keith Szarabajka), the apparently independently wealthy McCall sets about the streets of violent, 1980s New York City righting wrongs and protecting the innocent.  He acts as a vigilante, but for some unexplained reason the NYPD turns a blind if not dubious eye toward his exploits.  His advertisement in the want ads reads:

Got a problem?
Odds against you?
Call the Equalizer.
212 555 4100

The Equalizer has obvious issues from the very start.  He kills when necessary, yet he abhors killing.  Indeed, it becomes evident as the series progresses that McCall is using his current avocation to atone for the sins of his previous vocation.  And frequently his past catches up to him, often with very devastating results—not only for McCall, but also his clients and even his past associates.

Fast forward to the current television season some quarter century later.

The new Robert McCall roaming the streets of New York City is a guy named John Reese (played by Jim Caviezal).

John Reese is a Person of Interest . . . to both the NYPD and the CIA

The title of the show is Person of Interest.  The mysterious Mr. Reese has quit an agency (by faking his own death) from which you do not quit.  There are consequences to be paid for such impertinence, not least of which is that he’s now targeted for assassination by his former CIA colleagues.  Not only that, the NYPD is not nearly as accommodating of this vigilante.  They, too, want this man stopped.  And Robert McCall thought he had it bad?

This latest incarnation of The Equalizer is far from wealthy, however.  And his clients don’t find him through some want ad; he finds them.  Reese’s version of “Control” is a mysterious billionaire who goes by the name of “Mr. Finch” (played by Michael Emerson).  In 2006, Mr. Finch invented a machine, a machine that, “. . . sees everything,” from video feeds to internet postings to computer records—public, private, and secret.  “The Machine” then processes everything it sees and predicts acts of terrorism in time for the government to intervene.

Alas, that is not “The Machine’s” only talent.  It also sees and predicts other violent crimes about which the federal government doesn’t care.  But Mr. Finch cares.  Thus, before Mr. Finch (who is a genius at surveillance, wire tapping, breaching computer firewalls, and otherwise making a mockery of anything “security” related) turned over The Machine to the federal government, he built in a backdoor.  When The Machine determines that a violent crime is about to occur, it forwards a nine-digit number embedded inside a bunch of gobbledygook (in case The Machine’s operators catch on) to Mr. Finch.  That nine-digit number is a social security account, and the person to which it belongs can be either the potential victim or the future perpetrator.

It becomes Mr. Reese’s job to find out which, and to stop the violent act before it occurs.  All that while avoiding capture by the NYPD or death at the hands of the CIA.

And if that weren’t complicated enough, Mssrs. Finch and Reese have blackmailed a corrupt Detective Lionel Fusco (played by Kevin Chapman) and placed him alongside the woman detective charged with tracking down Reese.  That would be Detective Joss Carter (Taraji P. Henson) who, unbeknownst to Detective Fusco, has “seen the light” and is also occasionally helping our intrepid duo even as she pretends to still be on their trail.

As with The Equalizer, Person of Interest is pure escapist fun with many interesting, conflicted characters and loads of intrigue.  Unfortunately, only DVD Season One of The Equalizer was ever released in the U.S (back in 2008), but it’s well worth renting or even owning a copy if you’re unfamiliar with the show.  Season Two has been released in other regions.  Person of Interest airs Thursdays on CBS, and has just been renewed for another season.

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Winter’s Last Blast


Winter took one last shot (I hope) at El Paso on Sunday and Monday of last week.  On Sunday the 18th we were hit with one of the worst dust storms I’ve witnessed since moving to El Paso some thirty-one years ago.  I estimate that visibility dropped to less than half a mile, and the silt that accumulated at the bottom of our pool made it look more like a pond.  Then, on Monday, we got hit by an ice pellet storm at the airport.  Later, after I arrived home, the snow started.  Not a lot, but certainly extraordinary for El Paso on the last day of winter.

Extraordinary does not mean unprecedented, however.  In April of 1983 we were hit by a week-long snowstorm that, by the time it was over, had dumped nearly eighteen inches on our Southwestern Desert floor, and each morning that week the visibility dropped to near zero from ice fog.  In April!

But what a difference less than a week makes.  By Saturday I was cleaning the silt out of the pool, all while wearing flip-flops, shorts, and a T-shirt.  The temperatures hit 85° Fahrenheit (29° Celsius), and Ursula and I even took to a relaxing evening in our heated spa beneath the glorious stars, crescent moon, and the shining beacons of Venus and Jupiter.  Then, on Sunday, El Paso had the record high for the nation at 90° (32 ° Celsius).

And here are the “during” and “after” shots separating those six days (and after some seven hours cleaning up the pool and spa just the day before, I might add):

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