Category Archives: Photography

Étouffée—The Secret is in the Super-Secret Spice Blend


Spring is just around the corner, so you don’t have a whole lot of time left to sample this absolutely delectable cool-weather dish.  Not that étouffée can’t be eaten any time of year, it’s just that étouffée seems especially up to the task of taking the chill out of your bones while at the same time providing you a hearty yet undeniably healthy meal that doesn’t taste healthy in the slightest.

Étouffée may sound French, but it’s probably the quintessential example of Louisiana cooking at its finest.  The word itself is indeed French, and roughly translates to ‘smothered,’ which in Louisiana-speak means to cook something in liquid until it’s reduced to a thickened gravy or stew-like consistency.

What you’ll need:

The Roux Stuff:

5 Tbsp unsalted butter
5 Tbsp all-purpose flour

The Disgustingly Healthy Stuff:

1 large or two small yellow onions—skinned, trimmed, and quartered
2 large green bell peppers—cored, seeded, and quartered
3 to four celery stalks with leaves—cut into two-inch pieces
1 large bunch of parsley—roughly chopped with stems (trim just the very end of the stems and discard)
1 to two bunches of green onion—roughly chopped, including most of the long, green parts
4 or more (up to half a head) cloves of garlic

The Liquid Stuff:

1 16oz can of crushed tomato
1 cup dry white wine (examples:  pinot grigio, sauvignon blanc)
1 to 1¼ cups chicken, turkey, or beef broth

The Tasty Stuff:

2 12oz packages of crawfish tails or an equal amount of deveined shrimp

The Super-Secret Spice Blend Stuff:

Sorry—it’s a super-secret
Just kidding
1 Tbsp whole thyme leaves
1½ Tbsp Tabasco
1 Tbsp Worcestershire
1 tsp whole basil leaves
1 tsp freshly ground black pepper
1 tsp salt
2 tsp cumin
¼ cayenne pepper
2 bay leaves

In a large Dutch oven, toast the flour in the melted butter, stirring frequently.

You'll roux the day

While the flour is toasting, put batches of The Healthy Stuff and chop in a food processor.  Don’t overdo this, and process each vegetable separately to avoid overcrowding the processor.  Use the pulse feature, and stop when the vegetables are still course and in discernible chunks, except for the parsley and garlic.  For these, the finer the chop the better.

It may look healthy, but wait until you taste it

Still stirring that butter/flour roux mixture, I hope.  Is it tan, almost a peanut butter brown, yet?  Good.  Time to throw in the vegetables and cook them until they’re nicely softened and thoroughly coated in the roux.

No, it's not peanut butter

It's still green . . . but not for long

Slowly stir in the broth, white wine, and the crushed tomatoes.

The green is going away

Don't whine—here's the wine

Once the liquids are blended into the mixture, add the Super-Secret Spice Blend.  Bring to a simmer and cover.  Simmer, stirring occasionally to prevent scorching, for forty-five minutes.

The Super-Secret Spices—Yummy

While this is going on, make your rice.  I use parboiled long grain white (such as Uncle Ben’s) and melt in some butter after the rice is cooked.

You Know it's Done when it Looks Like Mud

Add your crawfish tails and simmer for another twenty minutes.  Or, if you’re using shrimp, let them simmer for around ten.  Shrimp get a bit tough if they’re overdone.

Now for the Tasty Stuff

Can You Smell It?

Serve on oven-warmed plates (about 200°) over a bed of rice accompanied by a nice glass of sauvignon blanc or pinot grigio.

Hint:  Make the base étouffée, sans shellfish, the day before and refrigerate.  The spices meld and better permeate the vegetables if left overnight.  About forty-five minutes before the guests arrive, start getting the étouffée back up to a simmer and add your shellfish just as the guests are arriving.  Serve as above ten to twenty minutes later, depending on whether you used shrimp or crawfish.

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Filed under Photography, Wine & Food

Color Filtering in Black & White Revisited


While perusing photographs for Wednesday’s blog, I came across an interesting color shot that I had shown before—Lobster Traps.  A gigantic pile of yellow, blue, purple, red, and orange lobster traps.  What a great subject, I thought, to revisit my blogs on color filtering to obtain the best black and white conversions.  The first blog on the subject covered how to use color filters, either over the lens or internal digital filtering built into the camera, to obtain such effects.  That blog was titled Black & White Photography—It’s All in the Color.  The second blog was Black & White Filtering After the Picture is Taken (and with FREE Software!).

In that first blog I used a multicolored slinky-type toy to show the different effects of color filtering.  As I looked at those lobster traps, though, I thought to myself, “What a great outdoor subject to demonstrate the same effect.”  So, once again using my favorite free photo editing software package, Google’s Picasa, I filtered the image using the most popular landscape and portrait color filters to show the effects on contrasts following conversion from color to black and white.

Remember your effects—warmer colors (yellow through red) are generally used to enhance landscapes, and cooler colors (greens) help in the conversion of most skin tones.  The first shot in the sequence below is the original color with increased saturation to multiply the subsequent filtering effects.  The next photograph shows conversion to black & white without any filtering.  Following that the pictures are in this order of filtering:  Light Green, Light Yellow, Red, and Dark Green.  I deliberately put the Red and Dark Green examples next to each other, as their effects should be complete opposites and will show the most contrast.  Likewise, the Light Green example resides beside the Light Yellow conversion to show the subtlety of even small amounts of filtering at opposite ends of the color spectrum.

While you’re studying the effects on the lobster traps, don’t forget to look at the surrounding foliage and note how the warmer filters progressively darken the leaves while the cooler filters lighten them.  Indeed, the leaves should appear very dark under red filtering, and nearly white when filtered for green . . . and I’m making this prediction before I’ve even done the conversions.

Let’s see if my predictions are correct:

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Filed under Photography

Playing Around with Black & White


We’ve covered Black & White photography before:  When to Convert to Black & White—Landscapes  But B&W is fun, so I thought I’d go through my archives from our D.C.—Shenandoah—Outer Banks trip and play around with some photographs that looked to be likely candidates for conversion from color.  Here’s what I got for my trouble:

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Filed under Photography, travel