A Road Trip to Old Mesilla


Ursula and I love day trips.  We especially love them when we can jump in the roadster and go with friends who also have sports cars.  So, Saturday was Roadster-Up-To-Old-Mesilla Day.  What makes the trip to Old Mesilla such fun is the back roads between El Paso and Las Cruces in New Mexico.  Although we live in the midst of the Chihuahuan Desert there’s still plenty of agriculture around, especially along the Rio Grande and the irrigated fields to either side of it as the river meanders through New Mexico and into Texas.

Along the way, convertible top down, wind blowing through our hair, we pass by fields of chili, onion, and cotton.  Vineyards and rows of maze drift by as we maintain a leisurely motoring pace.  We pass into the cooling shade of majestic pecan trees, their branches providing a leafy roof over the roadway, as we motor through the orchards of Stahman Farms.

The adobe and stone architecture of old Territorial New Mexico is abundantly in evidence as we pass through the towns of La Union, La Mesa, and San Miguel with it’s stone church, providing the photographer with some really great opportunities.  But once you reach Old Mesilla’s town square and it’s large central bandstand, you’re in another world . . . the world of the Old West, Pat Garrett, and Billy the Kid.  Here is where photographic opportunities come with nearly every step, including the Basilica of San Albino at the north end of the town square, the rustic 1800s wooden bar inside the Double Eagle Restaurant, the quaint dining courtyard of the adjoining Peppers Cafe, and the ever-popular and historic La Posta Mexican Restaurant just off the square.

Enjoy the views, then plan a road trip near your home.

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Being Worked Literally to Death


Stacy Nowak died, and she will be terribly missed.   Did you finish reading that link?  I certainly hope so, because you’re about to read a major rant and you’ll be lost if you don’t know the background.

First, let me begin by telling you that controllers are scared to death of FAA Regional Flight Surgeons.  Their careers are on the line every time a Regional Flight Surgeon gets involved on anything even remotely medical . . . and even things that are not.  Or things that have no bearing on one’s ability to do the incredibly stressful job of air traffic controller, and to do it well.  Just take a look at what the Flight Surgeon for the FAA’s Eastern Region put poor Stacy through, then ask yourself if this in any way enhanced flight safety, or if instead it placed pressures on her unnecessarily making her job tougher when she did finally return to work.  Pretty pathetic, really, when you think about it.  Especially what came from a supposedly “enlightened” doctor of medicine, although those coworkers who harassed her and the FAA management team that allowed this harassment also bear some responsibility as well.

And I have a lot of other flight surgeon horror stories I could recount.  You ought to see what happens to a controller who is diagnosed with sleep apnea, for instance.  What’s really ironic about the concern over sleep apnea is that the symptoms are the same symptoms caused by the FAA’s mandated, sleep-depriving shifts and the ignorant order from the Secretary of Transportation that forbids napping even while on a scheduled break.  As you can see, ignorance runs rampant throughout that entire organization’s management team—from the very bottom to the absolute top.

But what killed Stacy, in the end, is not a surprise to me.  It appears she died either of a stroke or an aneurysm.  High blood pressure can cause both, and sleep deprivation causes high blood pressure.  So do the pressures associated with air traffic control, but sleep deprivation only multiplies the dangers.

Lost in all the uproar concerning air traffic controllers fatigued to the point of nodding off while working is this:  The scheduled they are required to work (no, it’s not a schedule controllers came up with despite the deliberately misleading statements from former FAA Administrator Langhorne Bond, Congressman John Mica, and discredited privatization advocate Robert Poole, Jr.—the ultimate non-expert on all things aviation related) is in fact killing them.

Working a sleep-depriving schedule causes high blood pressure leading to potential strokes and heart disease.   It can also cause elevated cholesterol levels, hormonal changes leading to weight gain, obesity, and diabetes.  Just take a look at this research from the Warwick Medical School.  If that’s not enough, do additional internet searches on sleep deprivation, heart attacks, and stroke.  Just a sample of a very long list of what you’ll get:

The previously-cited individuals like to blame the victims for the schedules controllers are forced to work.  They make utterly, completely, and demonstrably false claims that controllers set these schedules despite the fact that the FAA retains complete control of scheduling (and always has), and in fact still forced these schedules on controllers even when there was no controller union (1981-1987) and during the Marion Blakey years when no controller union input was allowed on anything.  How dare these individuals blame the victims for the infliction of a schedule the agency must have in place just to run the National Airspace System, because the agency needs controllers to work a compressed schedule to make them available for overtime during what these three laughingly call controllers’ “extended three-day weekends.”  That is just pathetic.

What’s worse, each and every one of these three has some sort of direct and tangible interest in using this crisis either because they’re in the pay of potential contractors, work for a pro-privatization “think tank,” or accept large election contributions from contractors looking to cash in on this nation’s National Airspace System to the detriment of safety and national security.

So, what precipitated this latest rant? Again, Stacy Gary Nowak’s untimely death did , and she is just one more in a long list of air traffic controllers who are no longer with us either because of health problems, depression, falling asleep behind the wheel on their way home, and even suicide.  As if air traffic control weren’t stressful enough, as you can see there are always those who go above and beyond in their efforts to give controllers even more stress because it either benefits or amuses them to do so.  We don’t know for certain yet, but it appears that Stacy may very well be just one more victim of Marion Blakey, John Mica, Langhorne Bond, and many, many others who are either directly or indirectly responsible for the total and failed mismanagement of the air traffic control system for decades.

Stacy is dead now.  Her chosen career and public service may have been her death sentence.  And like death and taxes, there’s one more thing in life that’s certain:  Langhorne Bond, John Mica, Robert Poole, and Marion Blakey won’t lose any sleep over it because they’re too busy profiting off such tragedies.

Today, Monday, May 16th, I leave on a nine-day journey.  Ursula and I are flying to the east coast to spend some time with our oldest daughter, her husband, and four of our grandchildren.  After that I go to Washington, D.C., at the request of the National Air Traffic Controllers Association (NATCA) to assist this nation’s fatigued, overworked, and under attack air traffic controllers in bringing their problems to light up on Capitol Hill.  I’ll be visiting with various Congressmen and Senators to help spread the word.  Pray that we are successful in protecting you, the flier, from those who profit from endangering lives, property, and national security.  We’ll do our best for you.
Meanwhile, thank you Jim and Randy for watching the house and taking care of the kitties—Ian, Max, and Pooh.  We really appreciate it.

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A Thor(n) in the Side (Movie Review)


Thor

Action, Drama, Fantasy.  2011, U.S., 114 Minutes, directed by Kenneth Brannagh

Medium:  3D, Currently in Theaters

Rating:  3.0 (5-point system)

Well, if this review doesn’t blow my image for elegance and sophistication, nothing will.

It’s the question men my age frequently ask one another:  “Hey, dude, are you DC or Marvel?”  It’s a debate that’s right up there with, “Emma Peel or Honey West?” “Jeannie or Samantha Stevens?”  and of course the ever popular, “Ginger or Mary Ann?”  I’m a DC guy myself.  Batman, Superman, and The Flash were among my favorites.  Yet, here I am reviewing a movie based upon a Marvel Comics superhero.  So, if my rating seems a bit low to you, take into account my predilection for DC.

That’s not to say that I am unaware of Thor and his backstory.  I’m not.  And getting some of that backstory and his entire mortal alter ego wrong is but one reason for my rather mediocre assessment of this movie.  In both the movie and the comics, Thor is vain and impulsive.  He suffers from a total lack of humility that borders on the egomaniacal.  This is where the two backstories diverge, to the detriment of the motion picture.

Marvel Comic Backstory:  To teach Thor a lesson, his father Oden wipes clean his memory of Asgard and his previous Godly existence there, banishes him to the planet Earth, strips away his powers, and entraps him in the mortal body of a physician—Dr. Donald Blake—who is mildly disabled and thus walks with the assistance of a cane.  Dr. Blake’s love interest is his nurse, Jane Foster.  Dr. Blake’s cane is actually Thor’s legendary hammer Mjolnir in disguise.  When Dr. Blake strikes this cane upon the ground, it transforms into Mjolnir and Dr. Blake becomes the Norwegian God of Thunder—The Mighty Thor.  Yeah, it’s as hokey and convoluted as it sounds.  But it works better than the movie’s rather simplistic, streamlined version.

Feature-Length Film Backstory:  To teach Thor (Chris Hemsworth) a lesson, his father Oden (Anthony Hopkins) banishes him to Earth.  But Thor is now a mortal who still inhabits the same muscularly built, fully functional body he had before, and his memories of who he is and where he’s from are completely intact.  Mjolnir lies embedded in rock several miles from where Thor appears in the New Mexico desert.  He is found by college student Jane Foster (Natalie Portman), who is doing atmospheric research with her professor Dr. Erik Selvig (Stellan Skarsgård) and fellow student Darcy (Kat Dennings).  Attempting to retrieve Mjolnir, Thor is unable to dislodge the hammer from its stone encasement, reminding him of the powers he has lost and finally bringing home to him his now mortal existence.

From here on the two storylines merge once again.  Thor’s archenemy remains in both story arcs his adopted brother Loki, a being of the race of Frost Giants who was raised by Odin to believe he was a fellow Asgardian until the truth is revealed to him.

From here on we have a tragic Shakespearian hero, which is why I assume the incredibly adept Shakespearian actor and director Kenneth Branagh (one of my personal favorites) was brought in to direct.  And ironically it’s on this level of tragic Shakespearian hero that the film works best.  It certainly doesn’t make it as a comic superhero, especially one which completely forsakes a rather intriguing mortal alter ego with disabilities that provide such a stark dichotomy between the main character’s two identities.  Unfortunately, plot takes back seat to special effects for far too much of the film—pretty much the same affliction that infected Iron Man 2 and made that picture far less satisfying than the original.

At any rate, the Avengers are certainly preparing to assemble.  We’ve already been introduced in the past few years to Tony Stark/Iron Man (Robert Downey, Jr.) and Bruce Banner/The Incredible Hulk (Mark Ruffalo will take over the role from the incomparable Ed Norton, who did a superlative job).  Nick Fury of S.H.I.E.L.D. (Samuel L. Jackson) has made cameos in both Iron Man pictures.  Captain America: The First Avenger (Chris Evans, who also played Marvel character Johnny Storm/The Human Torch in both Fantastic Four films a few years back) is scheduled to hit the theaters on July 22.  These characters comprise the core of The Avengers, so we all should be pretty well prepared for this movie when it debuts May 4, 2012.

Let us hope that neither Captain America nor The Avengers suffer from the same fate as Thor—SFxF (Special Effects Fatigue).  As the original Iron Man and the two most recent Batman movies have taught us, character development and storyline are paramount considerations in making this type film work on an intellectually adult level.  And if skillfully done, this approach does not adversely impact a movie’s appeal to the younger crowd.  It’s a shame that this invaluable lesson was lost in the making of Thor.

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