Tag Archives: John Reese

No Longer Equalizing a Person of Interest — A Colossal Mistake?


As I write this I have just finished up the posts for my Montreal-to-Boston cruise aboard the MS Maasdam, the second season of The Equalizer was finally made available last Tuesday some six years after the release of Season One (as well as the complete set directly from the new distributor), we’re just over three weeks away from the fourth season opener of Person of Interest, and we’re just over two weeks away from the release of The Equalizer movie.

When last we discussed Person of Interest (see: Equalizing a Person of Interest) I compared Person of Interest to that fascinating, ground-breaking 1980s series The Equalizer, starring the late Edward Woodward.

Edward Woodward as Robert McCall, The Equalizer

Boy, was I wrong. As of the end of Season Three Person of Interest is no longer a remake of The Equalizer; it’s become a remake of the 1970 film Colossus: The Forbin Project. For those unfamiliar with Colossus, the story revolves around Dr. Charles Forbin who creates an artificial intelligence to handle the strategic nuclear forces of the United States. Things seem to go well until it is discovered that the U.S.S.R. has developed a machine (sound familiar?) with the same capabilities. When Colossus discovers the existence of the other machine (Guardian), things go to hell in a hurry.

Colossus: The Forbin Project

This past season on Person of Interest we discover that a second machine — Samaritan — has gone online and is now trying to track down and kill anyone connected to the first machine (code named Northern Lights). I started getting the uncomfortable feeling that I had seen this plot before when there were still several Season Three episodes remaining, so I ordered Colossus from NetFlix to refresh my memory.

John Reese is a Person of Interest . . . to both the NYPD and the CIA, and now Samaritan!

Yep. I’ve seen it before, all right. Not that it’s a bad thing. It’s just that Colossus has no business mucking about with what is at its core a remake of The Equalizer.

Speaking of which, we have another Equalizer headed our way Friday, September 26 (actually a few days ago, as this post is scheduled to hit October 1), and this one is already a bit of a disappointment to me even before I’ve seen it. The original concept of The Equalizer centered around a character who was supposed to think of a retired version of James Bond. Edward Woodward’s Robert McCall was British; a former agent sick of lies, deceit, and killing; a person who dressed immaculately and who carried a Walther PPK/S (for marginal differences between the PPK/S and Agent 007’s PPK see: The Perfect Fashion Accessory—Walther PPK in .32 ACP).

Walther PPK and PPK/S

Denzel Washington’s characterization of Robert McCall is none of those things. And while I have high hopes that this version of The Equalizer will do well, the writers would have done just as well naming Mr. Washington’s character “Harold Potter” or “Michael Hammer” for all the dissimilarities involved.

At any rate, let’s hope Person of Interest (and The Equalizer before it) hasn’t lost what made it such a hit — a talented, hardened, disillusioned former agent/killer who helps everyday people against insurmountable odds — rather than a science fiction battle pitting supercomputer against supercomputer with the main characters playing pawns caught in the middle.

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Equalizing a Person of Interest


I thought I had a really unique idea with this blog, but Googling the terms, ‘Robert; McCall; John; Reese; Equalizer; Person; and Interest,’ revealed otherwise.  Several bloggers have beat me to it, but I’m going ahead anyway because I find the parallels rather cool.

In the mid-1980s I became a huge fan of a television show titled, “The Equalizer.”  I found the lead character, Robert McCall, fascinating.

Robert McCall—The Equalizer

Robert McCall (played by Edward Woodward) was a very capable operative who abruptly resigns from an unidentified intelligence agency from which you do not just “resign.”  There are consequences to be paid for such impertinence.  Now on his own, with only occasional assistance from his former boss, “Control” (played by Robert Lansing) and fellow operatives (most notably Micky Kostmeyer, played by Keith Szarabajka), the apparently independently wealthy McCall sets about the streets of violent, 1980s New York City righting wrongs and protecting the innocent.  He acts as a vigilante, but for some unexplained reason the NYPD turns a blind if not dubious eye toward his exploits.  His advertisement in the want ads reads:

Got a problem?
Odds against you?
Call the Equalizer.
212 555 4100

The Equalizer has obvious issues from the very start.  He kills when necessary, yet he abhors killing.  Indeed, it becomes evident as the series progresses that McCall is using his current avocation to atone for the sins of his previous vocation.  And frequently his past catches up to him, often with very devastating results—not only for McCall, but also his clients and even his past associates.

Fast forward to the current television season some quarter century later.

The new Robert McCall roaming the streets of New York City is a guy named John Reese (played by Jim Caviezal).

John Reese is a Person of Interest . . . to both the NYPD and the CIA

The title of the show is Person of Interest.  The mysterious Mr. Reese has quit an agency (by faking his own death) from which you do not quit.  There are consequences to be paid for such impertinence, not least of which is that he’s now targeted for assassination by his former CIA colleagues.  Not only that, the NYPD is not nearly as accommodating of this vigilante.  They, too, want this man stopped.  And Robert McCall thought he had it bad?

This latest incarnation of The Equalizer is far from wealthy, however.  And his clients don’t find him through some want ad; he finds them.  Reese’s version of “Control” is a mysterious billionaire who goes by the name of “Mr. Finch” (played by Michael Emerson).  In 2006, Mr. Finch invented a machine, a machine that, “. . . sees everything,” from video feeds to internet postings to computer records—public, private, and secret.  “The Machine” then processes everything it sees and predicts acts of terrorism in time for the government to intervene.

Alas, that is not “The Machine’s” only talent.  It also sees and predicts other violent crimes about which the federal government doesn’t care.  But Mr. Finch cares.  Thus, before Mr. Finch (who is a genius at surveillance, wire tapping, breaching computer firewalls, and otherwise making a mockery of anything “security” related) turned over The Machine to the federal government, he built in a backdoor.  When The Machine determines that a violent crime is about to occur, it forwards a nine-digit number embedded inside a bunch of gobbledygook (in case The Machine’s operators catch on) to Mr. Finch.  That nine-digit number is a social security account, and the person to which it belongs can be either the potential victim or the future perpetrator.

It becomes Mr. Reese’s job to find out which, and to stop the violent act before it occurs.  All that while avoiding capture by the NYPD or death at the hands of the CIA.

And if that weren’t complicated enough, Mssrs. Finch and Reese have blackmailed a corrupt Detective Lionel Fusco (played by Kevin Chapman) and placed him alongside the woman detective charged with tracking down Reese.  That would be Detective Joss Carter (Taraji P. Henson) who, unbeknownst to Detective Fusco, has “seen the light” and is also occasionally helping our intrepid duo even as she pretends to still be on their trail.

As with The Equalizer, Person of Interest is pure escapist fun with many interesting, conflicted characters and loads of intrigue.  Unfortunately, only DVD Season One of The Equalizer was ever released in the U.S (back in 2008), but it’s well worth renting or even owning a copy if you’re unfamiliar with the show.  Season Two has been released in other regions.  Person of Interest airs Thursdays on CBS, and has just been renewed for another season.

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